Avoid pitfalls and advance your abilities, benefit from individual attention, and explore a variety of watercolor techniques with an emphasis on developing your style. Demos in color and design, wet on wet, dry brush techniques and a unique new watercolor stretched canvas will be covered. Students of all levels can paint from still life set-ups, photos or your own subjects. Watercolor painting by Denis Ponsot, Instructor. Click to check out Denis Ponsot's website. Click here for Supply List (more)REGISTER

This watercolor workshop is an introduction and exploration designed for adults of all artistic abilities. When the wet brush touches the dry paper, the form is done, the commitment has been made and you're not in complete control. You learn how to play with "accidents" and enjoy the process. Colors bleed into each other and beautiful unexpected colors emerge and meander – this unpredictable behavior gives rise to exploration and play. Supply list will be emailed in advance, space is limited! Detail of watercolor butterflies by Marika Hahn, instructor. (more)REGISTER

If you’ve wanted to draw or paint but never had the opportunity—or if you’ve been doing it your whole life— join us in working from still life, imagination, and the figure. Use pencil, charcoal, pastel, and acrylic or oil paint to develop visual problem-solving skills. Painting supply list discussed in class, drawing supplies provided by JCC. Painting by Aviva K., student. (more)REGISTER

Avoid pitfalls and advance your abilities, benefit from individual attention, and explore a variety of watercolor techniques with an emphasis on developing your style. Demos in color and design, wet on wet, dry brush techniques and a unique new watercolor stretched canvas will be covered. Students of all levels can paint from still life set-ups, photos or your own subjects. Watercolor painting by Denis Ponsot, Instructor. Click to check out Denis Ponsot's website. Click here for Supply List (more)REGISTER

If you’ve wanted to draw or paint but never had the opportunity—or if you’ve been doing it your whole life— join us in working from still life, imagination, and the figure. Use pencil, charcoal, pastel, and acrylic or oil paint to develop visual problem-solving skills. Painting supply list discussed in class, drawing supplies provided by JCC. Painting by Aviva K., student. (more)REGISTER

Tackle the many aspects of drawing a still life and the figure, working from live models. Focusing on the basics and more advanced concepts you will begin to easily translate a three-dimensional experience onto a two-dimensional surface. Charcoal, pastels and oil pastels will be provided. Pastel by Martin A., student. (more)REGISTER

Beginning and returning students will benefit from the varied media explored in this open workshop format. You will pick subjects you enjoy and develop them in different mediums: charcoal, pastels, acrylics and printmaking. Many supplies provided, others will be discussed in class. Print by Talia Segal, Instructor. (more)REGISTER

Printmaking is a unique art you rarely get to try outside of art school. Thanks to the generous donation of a printing press by Gerson and Judith Leiber, we are able to offer the rare opportunity to learn the basic principles of this classic artistic process. Create monotypes which are painterly prints that offer freedom and spontaneity unmatched by any other artistic process. Explore basic approaches, materials, and techniques without the use of acid, including dry point, collage and relief cut images, such as linoleum cuts and wood cuts. Starter supplies included in course cost; additional supplies discussed at first class. These sections run concurrently in two studios. Print by Mew C., student. (more)REGISTER

Printmaking is a unique art you rarely get to try outside of art school. Thanks to the generous donation of a printing press by Gerson and Judith Leiber, we are able to offer the rare opportunity to learn the basic principles of this classic artistic process. Create monotypes which are painterly prints that offer freedom and spontaneity unmatched by any other artistic process. Explore basic approaches, materials, and techniques without the use of acid, including dry point, collage and relief cut images, such as linoleum cuts and wood cuts. Starter supplies included in course cost; additional supplies discussed at first class. These sections run concurrently in two studios. Print by Mew C., student. (more)REGISTER

Discounted for Seniors! Whether it’s something you’ve been doing your whole life, or something you’ve been waiting your whole life to do, express yourself, improve your skills, and make new friends. Work from still life or photographs. You will receive highly personalized instruction in a fun, casual atmosphere. Suggested list of painting supplies provided in advance by instructor. Drawing supplies provided by JCC. Drawing by Jane G., Student. (more)REGISTER

Experience creative approaches to acrylic or oil easel painting in this lively class geared to both beginners and experienced painters. Using still lives, photographs of landscapes and other subjects, learn to apply and explore basic concepts of color theory, composition, and other formal elements of art. A supply list is provided during the first class when properties and uses of various materials are discussed. Experienced students should bring whatever materials they already have. Watercolor by Mary D., student. Click to check out Elizabeth Marraffino's website. (more)REGISTER

Experience creative approaches to acrylic or oil easel painting in this lively class geared to both beginners and experienced painters. Using still lives, photographs of landscapes and other subjects, learn to apply and explore basic concepts of color theory, composition, and other formal elements of art. A supply list is provided during the first class when properties and uses of various materials are discussed. Experienced students should bring whatever materials they already have. Watercolor by Mary D., student. Click to check out Elizabeth Marraffino's website. (more)REGISTER

This is a six-week intensive introduction to Impressionist painting techniques. Come with copies of your favorite Impressionist landscape paintings, as well as photographs of some landscapes (not reproductions of paintings) that you would like to interpret in Impressionist style. Optional visit to Metropolitan Museum of Art to view Impressionist work, to be arranged. Bring your own oil or acrylic paints, brushes and at least one 16 x 20” canvas board or prepared canvas to first class. Previous painting experience required. Detail of painting by Elizabeth Marraffino, instructor. (more)REGISTER

Play with the unlimited potential of the limited palette! Learn to maximize color with a limited palette, one red, blue, yellow, and white. Understand the practical application of color theory and how to manipulate the color wheel to make a successful painting. The theme will be contrast: warm vs. cool, light vs. dark, intense vs. neutral colors. This is an excellent way to begin painting, or for more advanced students to solidify their understanding of color. Supplies to be e-mailed a week in advance. Painting by Abby Zonies, Instructor. (more)REGISTER

Relief printing is the oldest form of printmaking, and the modern material of linoleum makes it incredibly easy to practice this ancient art, effortlessly yielding elegant, fluid lines. Ever popular for their directness of approach and bold graphic quality, linocuts also have the advantage that they don't require a printing press. In this workshop we'll cover all stages of the linocut process-image transfer, carving, inking, registration and printing. We'll be working with two different linoleum blocks to create two-color images, while experimenting with multiple color combinations. Detail of linocut by Eva Nikolova, Instructor. (more)REGISTER

Relief printing is the oldest form of printmaking, and the modern material of linoleum makes it incredibly easy to practice this ancient art, effortlessly yielding elegant, fluid lines. Ever popular for their directness of approach and bold graphic quality, linocuts also have the advantage that they don't require a printing press. In this workshop we'll cover all stages of the linocut process-image transfer, carving, inking, registration and printing. We'll be working with two different linoleum blocks to create two-color images, while experimenting with multiple color combinations. Detail of linocut by Eva Nikolova, Instructor. (more)REGISTER

Learn the fundamentals of drawing and color by completing a project each week which addresses line, perspective, composition, and color. Working in the painting medium of your choice - oil or acrylic. Supplies will be discussed at the first class. Painting by Heidi Johnson, Instructor. (more)REGISTER

Ideal for those without access to a press or printmaking facility, this workshop takes a mixed-media approach to monotype-the most immediate of all the printmaking processes. You'll discover numerous image-making methods that can all be recreated in your home studio or apartment to yield a great variety of effects/results. We will work both additively and subtractively, exploring color mixing and varied mark-making tools. We will also learn how to make a trace monotype and try out different hand-printing tools. Working with stencils, stamps, collage, and shaped foamprint plates will allow us to create complex layered prints, while exploring color inkjet and black & white laser/Xerox transfer techniques will permit us to incorporate found imagery. All materials are non-toxic and all levels are welcome. Trace monotype by Eva Nicolova, Instructor. (more)REGISTER

Ideal for those without access to a press or printmaking facility, this workshop takes a mixed-media approach to monotype-the most immediate of all the printmaking processes. You'll discover numerous image-making methods that can all be recreated in your home studio or apartment to yield a great variety of effects/results. We will work both additively and subtractively, exploring color mixing and varied mark-making tools. We will also learn how to make a trace monotype and try out different hand-printing tools. Working with stencils, stamps, collage, and shaped foamprint plates will allow us to create complex layered prints, while exploring color inkjet and black & white laser/Xerox transfer techniques will permit us to incorporate found imagery. All materials are non-toxic and all levels are welcome. Trace monotype by Eva Nicolova, Instructor. (more)REGISTER

Enjoy an evening among friends learning basic drawing skills with charcoal and pastels! A simple still life will be the focus of planning a composition, understanding scale and how light sources affect the arrangement. Supplies and wine included! Pastel by Gay B., Student., (more)REGISTER

We'll concentrate on quick paintings aimed at capturing the spontaneity of an image through the use of paint. Learn to paint with more confidence and bravado! We'll use bigger brushes and rags to emphasize the directional stroke. Goals will be to create surface, movement, gesture and form in our work. Every week will be a new subject and challenge! Supplies to be e-mailed a week in advance. Close up of a painting by Abby Zonies, Instructor. (more)REGISTER

This class will give students an introduction to the basics necessary to draw and paint the human face. Learn how to use light and shadow to create 3-dimensional forms in the human head. Helpful timps to draw the eyes, nose, mouth, and ears will be given. A live model will be used each session. The class will start with one-day poses, then will progressively work into longer, multiple-week poses. Students may draw or paint in this class in the medium of their choice; most drawing supplies provided. Painting by Gabriela Dellosso, instructor. (more)REGISTER

If you’ve wanted to draw or paint but never had the opportunity—or if you’ve been doing it your whole life— join us in working from still life, imagination, and the figure. Use pencil, charcoal, pastel, and acrylic or oil paint to develop visual problem-solving skills. Painting supply list discussed in class, drawing supplies provided by JCC. Detail of painting by Heidi Johnson, instructor. (more)REGISTER

A unique and rare alternative photo process, Chemigrams quickly and easily yield results that are as singular as they are spectacular even for the beginner. More related in method and approach to painting and printmaking than to photography, Chemigrams use no camera or darkroom. We'll be working in ambient light with darkroom chemicals on black & white photo paper to create subtly colored prints, using a variety of resists, from simple household ingredients like honey and glue, to specialized formulas. We'll also explore hand-coloring methods. At the end of the workshop, you'll take home a multitude of abstract and figurative images, that range from simple and striking to intricate and complex. No prior photo, printmaking or painting experience is required. Just bring your imagination and be prepared to experiment and play. Close up of a Chemigram by Eva Nikolova, Instructor. (more)REGISTER

Experience creative approaches to acrylic or oil easel painting in this lively class geared to both beginners and experienced painters. Using still lives, photographs of landscapes and other subjects, learn to apply and explore basic concepts of color theory, composition, and other formal elements of art. A supply list is provided during the first class when properties and uses of various materials are discussed. Experienced students should bring whatever materials they already have. Painting by Kathy G., student. Click to check out Elizabeth Marraffino's website. (more)REGISTER

Experience creative approaches to acrylic or oil easel painting in this lively class geared to both beginners and experienced painters. Using still lives, photographs of landscapes and other subjects, learn to apply and explore basic concepts of color theory, composition, and other formal elements of art. A supply list is provided during the first class when properties and uses of various materials are discussed. Experienced students should bring whatever materials they already have. Painting by Kathy G., student. Click to check out Elizabeth Marraffino's website. (more)REGISTER

The Six-Hour Art Major is a highly informative yet lively and entertaining arrangement of visual presentations with lecture that teach people about art from an artist’s viewpoint. To this end, participants are given mini-versions of the essential courses included in the typical art major. Besides Art History and Art Appreciation, there are hands-on drawing exercises that demonstrate the thought processes and techniques behind making a piece of art, and a general discussion on developing creativity. (more)REGISTER

Create stationery, journals, and little sketchbooks to toss in your bag that will rival the paper goods sold at Anthropologie and Urban Outfitters. Experiment with form and control by trying watercolor washes on a dry surface, or let colors flow and blend with wet-on-wet washes. Supplies included; bring a nut-free snack. Check online listing for images of Marika’s amazing work. (more)REGISTER

This watercolor workshop is an introduction and exploration designed for children of all abilities. Using washes on a dry surface will give participants a chance to experiment with form and control, wet-on-wet washes let colors flow and blend. Alchemy happens when we sprinkle coarse salt on the wet part of our paintings for texture and use straws to blow paints into abstract designs. We’ll fill the work tables with swirling abstracts, butterflies, imaginative invented bugs, fish and more! Children will be encouraged to explore, take chances and create with this magical medium. They’ll leave with lots of work such as simple accordion books and little matchbook style books with watercolor covers that will become keepsakes, lovely gifts or sketchbooks to toss in a backpack or mom’s purse! Supplies included, bring a nut-free snack! Check online listing for images of Marika’s amazing work! (more)REGISTER